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On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. At this juncture, the sound of oars reached his ears, and he perceived Mr. It had been a part of the vast domain of the servants in the house’s earlier incarnation.
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