’ ‘What heir?’ ‘Exactly. 230 Rhea sprang, teeth flashing. ’ ‘Alas. Wood the carpenter. Paris looms behind—a tragedy of strange recollections—here she emerges Phœnix-like, subtly developed, a flawless woman, beautiful, self-reliant, witty, a woman with the strange gift of making all others beside her seem plain or vulgar. You lack only that mechanical knack of expression which is the least important part of an artist’s equipment, but which remains a tedious and absolute necessity.
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